I love learning about history, and the more I learn, the more I appreciate my place in this world. While military history, particularly from pre-WW1 to the end of WW2, was what made me first plant my nose in a book, I can geek out on pretty much any historical period: the rise of human civilization, Rome, the conquest of the New World, the development of airplanes. But it’s the personal element that most draws me in, and the fact that we humans remain fundamentally the same in how we cope with another through the ages. It’s through fiction that we see the past in a way that makes sense.
The murder of Leon Trotsky remains one of those historical events that didn’t change much yet reveals a lot about its time and the people. Since Trotsky was by then marginalized as a has-been in international communism, his death was simply an act of Joseph Stalin tying up loose ends. If you already know something about this period, what with Frida Kahlo, Diego Rivera, the assassin Ramón Mercader, the Spanish Civil War, and the brewing of the Second World War, the author, Cuban writer Leonardo Padura, will still deliver an eye-opening and disturbing read.
The top of my reading pile always has a book in Spanish, and it was this way that I became familiar with Padura, famous for his crime noir novels set in Habana. I admire his scholarship in digging through what had to be vast mines of documents, but also his huevos for shaping a well-documented narrative into a tale of heartless villains scheming to make the world a better place through terror and murder. Like any good historical fiction, the most incredible parts are what was most true.
A gripping novel about the assassination of Leon Trotsky in Mexico City in 1940
In The Man Who Loved Dogs, Leonardo Padura brings a noir sensibility to one of the most fascinating and complex political narratives of the past hundred years: the assassination of Leon Trotsky by Ramón Mercader.
The story revolves around Iván Cárdenas Maturell, who in his youth was the great hope of modern Cuban literature—until he dared to write a story that was deemed counterrevolutionary. When we meet him years later in Havana, Iván is a loser: a humbled and defeated man with a quiet, unremarkable life…
If you’ve never heard of the Saint Patrick’s Battalion—the Irish soldiers who deserted the US Army to fight for Mexico during the Mexican-American War of 1847—with this novel, Reyna Grande will fill in the blanks in grand style. She pulls you in using the trope of a romance between Ximena, a curandera, and John Riley, an Irish-American artilleryman, both pawns in a gigantic land grab now regarded as one of the US’s forgotten wars.
We listen to the big personalities—Mexican General Antonio López de Santa Anna and US General Zachary Taylor—give their version of events even as the book provides an unflinching eye at the plight of the common people caught in the chaos and bloodshed.
2023 International Latino Book Award Winner Finalist for the Texas Institute of Letters’s Jesse H. Jones Award for Best Fiction
A Long Petal of the Sea meets Cold Mountain in this “epic and exquisitely wrought” (Patricia Engel, New York Times bestselling author) saga following a Mexican army nurse and an Irish soldier who must fight, at first for their survival and then for their love, amidst the atrocity of the Mexican-American War—from the author of The Distance Between Us.
A forgotten war. An unforgettable romance.
The year is 1846. After the controversial annexation of Texas, the US Army marches south…
What I loved most about this book was the voice. Woodrell did a fantastic job presenting the period Biblical lyricism through the narrator, Jake Roedel, a reluctant Confederate soldier.
The scene is the largely overlooked Kansas-Missouri front of the US Civil War, where bloody vendettas were just as much of the fighting as were skirmishes between the blue and the gray. We ride with the young men, boys really, as they raid and pillage, hide and survive, and there’s nothing romantic about the loss and pointless savagery.
Set in the border states of Kansas and Missouri, Woe to Live On explores the nature of lawlessness and violence, friendship and loyalty, through the eyes of young recruit Jake Roedel. Where he and his fellow First Kansas Irregulars go, no one is safe, no one can be neutral. Roedel grows up fast, experiencing a brutal parody of war without standards or mercy. But as friends fall and families flee, he questions his loyalties and becomes an outsider even to those who have become outlaws.
I really enjoyed this novel for several reasons. For one, Jess Walter is a fantastic storyteller. As a history geek, this book gives a fascinating retro look into an era I otherwise would’ve ignored: Hollywood during the making of the movie Cleopatra. One of the strengths of fiction is fleshing out a historical personality by putting him or her on stage, giving them voice, emotion, and substance that would be difficult to do in nonfiction.
We meet Richard Burton in all his self-centered, boozy, womanizing splendor, and you can’t help but feel disappointed that you never got to spill drinks with him. But the guy who steals the show is Hollywood producer Michael Deane, a narcissistic schemer who tramples over everyone to get his way, on the surface self-absorbed, yet inwardly fully aware of the effect he’s having.
The #1 New York Times bestseller—Jess Walter’s “absolute masterpiece” (Richard Russo, Pulitzer Prize-winning author): the story of an almost-love affair that begins on the Italian coast in 1962 and resurfaces fifty years later in contemporary Hollywood.
The acclaimed, award-winning author of the national bestseller The Financial Lives of the Poets returns with his funniest, most romantic, and most purely enjoyable novel yet. Hailed by critics and loved by readers of literary and historical fiction, Beautiful Ruins is the story of an almost-love affair that begins on the Italian coast in 1962...and is rekindled in Hollywood fifty years later.
I’ve tried several times to understand the Mexican Revolution, with its cast of martyrs and rouges scrambling in a violent tornado of noble intentions and bloody treachery. Nava artfully demonstrates his chops as a writer by paring this seemingly incomprehensible sweep of Mexican history into an accessible and compelling narrative.
His characters are complicated and nuanced—Nava gives us no easy answers—and we watch them flail for salvation and fleeting promises even as society collapses around them.
In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Diaz, the ruthless and inscrutable president of the Republic.
Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilan. Miguel is a principled young doctor, only recently returned from Europe…
I love conspiracy theories but to appreciate them, you have to understand the time and circumstances of when they germinated and flourished. Outwardly, my novel is about Felix Gomez, an Iraq War veteran turned detective vampire. What does that have to do with history? Plenty. My protagonist’s undead condition is a metaphor for his wartime PTSD. Rocky Flats was a Colorado nuclear weapons facility, now decommissioned and dismantled, and the story provided a stage to discuss the Cold War and its aftermath, the shenanigans of the atomic munitions industry, throw in the Roswell UFO crash: all instances where government denials only stoke further suspicion. And there are nymphos.
I once saw a play at the renowned Oregon Shakespeare Theatre. A play about Sor Juana. It was a good play, but it felt like something was missing like jalapenos left out of enchiladas. The play kept nudging me to look further to find Sor Juana, and so for the next five years, I did so. I read and read more. I listened for her voice, and that is where I heard her life come alive. This isn’t the only possibility for Sor Juana’s life; it is just the one I heard.
Sor Juana Ines de la Cruz, this brilliant 17th century nun flew through Mexico City on the breeze of poetry and philosophy. She met with princes of the Church, and with the royalty of Spain and Mexico. Then she met a stunning, powerful woman with lavender eyes, la Vicereine Maria Louisa, and her life changed forever. As her fame grew, she dared to challenge the diabolical Archbishop once too often, and he threw her in front of the Inquisition, where she stood, alone.
Sor Juana's work is studied still today, and justifiably so. Scholars study her months on end; mystics…
This astonishingly brilliant 17th century poet and dramatist, this nun, flew through Mexico City on wings of inspiration. Having no dowry, she chose the life of a nun so that she might learn, so that she might write, so that she might meet the most fascinating people of the western world. She accomplished all of that, and more.
One day a woman with violet eyes, eyes the color of passion flowers, entered her life. It was the new Vicereine, Maria Luisa. As the two most powerful women in Mexico City, the bond between them crossed politics and wound them in…
